Steve Drasche Steve Drasche

Tips for the care of your piano

Your piano is basically a machine like a car or a computer, but with the capability of allowing someone to create music. All machines need to be properly maintained or they will eventually break down.

Importance of proper maintenance

We recommend tuning at least twice a year (due to climatic changes) and regulating ever 3-10 years based on use. Pianos such as old Steinways, Mason & Hamlins and Baldwins are worth the time and money to completely rebuild and refinish as these instruments are of much richer sound than new pianos.

"Tuning" and "pitch raising" as opposed to "regulation"

"Tuning" is the turning of the tuning pins and thereby tightening of the strings, to raise or lower the pitch of the piano. When the wood of the piano shrinks or expands, the pitch will rise or drop. Therefore tuning corrects these changes. If the tuning pins of the piano are lose, the pins will shift quicker and the piano will go out of tune drastically. A "pitch raise" is when the piano has dropped in pitch significantly or when the piano has not been tuned in quite some time and has dropped in pitch from tension above. There is an extra charge beyond simple tuning for a pitch raise since it involves more work.

"Regulation" involves adjusting the many moving "action" parts (keys, hammers, etc.) inside the piano so that they work properly with each other to give you the best tune and feel possible. This procedure can sometimes take many hours to complete but is only necessary every 2-10 years, based on the piano and the amount of playing. Minor action regulation can be done more frequently for the more seasoned pianists.

If you're now wondering if your piano needs some work, contact us today!

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Steve Drasche Steve Drasche

Buy American

How much does purchasing products made outside of the U.S affect out economy? Over the last 50 years our foreign neighbors have taken advantage of first, more expedient travel and second, the coming of the internet age to flood the American market with their products. The success of these foreign-made products in terms of sales has been in some part, due to the failure of the newly made American products to remain at high quality levels. This began as early as the late 1950s and occurred most noticeably in the auto and electronics industries. In the piano industry, I witnessed first-hand in the early 1970s, the progressive lack of caring and dedication that had already crept into most American laborer's thoughts. We were using "made in Japan" as a derogatory term, not realizing that our lackadaisical attitudes regarding quality would soon put us in a defensive position where we still manufactured the best American-made piano (Steinway), but were now fighting for survival. Kawai, Yamaha, Sojinm Young Chang - and before we knew it - the "American" companies that were being acquired, operated and manufactured overseas (Knabe, Weber etc) became our competition. These countries have since been accompanied by China, Indonesia and Eastern European, among others. The piano industry in the U.S not that long ago boasted Sohmer, Baldwin, Steinway and Mason & Hamlin. among others. With the influx of foreign piano makers using fierce marketing strategies and cheaper part and labor. We are left with Steinway, Baldwin and a few others. 

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